Madhya Pradesh - Information about Madhya Pradesh - Tourist Attractions in Madhya Pradesh
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Information about Sanchi

Sanchi is known for its Stupas, monasteries, temples and pillars dating from the 3rd century B.C. to the 12th century A.D. The most famous of these monuments, the Sanchi Stupa 1, was originally built by the Mauryan Emperor Ashoka, the then governor of Ujjayini, whose wife Devi was the daughter of a merchant from adjacent Vidisha. Their son Mahindra and daughter Sanghamitra were born in Ujjayini and sent to Sri Lanka, where they converted the King, the Queen and their people to Buddhism.

A Chunar sandstone pillar fragment, shining with the proverbial Mauryan polish, lies near Stupa I and carries the famous edict of Ashoka warning against schism in the Buddhist community.

Stupa 1 was found empty, while relics of the two disciples

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of Buddha enshrined in the adjacent Stupa 3 were carried away to England. The nearby modern temple has a reliquary containing the remains of a Buddhist teacher from another Stupa outside Sanchi.

What to see

The Four Gateways
Early Buddhist art has no finer expression than these toranas that surround the Great Stupa. The Buddha according to the tenets of early Buddhist art, is portrayed in symbols; the lotus representing his birth, the tree his enlightenment, the wheel derived from the title of his first sermon, the footprints and throne symbolizing his presence. These have been carved with such inspired intensity and imagery that, taken together with the surrounding figures, they are considered the finest of all Buddhist toranas and counter - balance the massive solidity of the stupa they encircle.

Carved with stories of the Buddha's past and present lives and with incidents from the subsequent history of Buddhism, the gateways are the finest specimens of early classical art, which formed the seedbed for the entire vocabulary of later Indian art.

Two of the moving stories told on these portals are those of Prince Vessantara, who gave away his wealth, his wife and children out of charity and compassion, and of Buddha who, as the monkey king, sacrificed his life to save his companions.

The inscriptions on the gateways mention donors from all over northern India and special mention is made of the ivory workers of Vidisha who sculpted the stone with the precision of jewellers.

 

Great Stupa No. 1
The oldest stone structure in India. 36.5 mt in diameter and 16.4 mt high, with a massive hemispherical dome, the stupa stands in eternal majesty, the paved procession path around it worn smooth by centuries of pilgrims. 

The Eastern Gateway
Depicts the young prince, Gautama leaving his father's palace on his journey towards enlightenment and the dream his mother had before his birth.

The Western Gateway
Depicts the seven incarnations of the Buddha.

 

The Northern Gateway
Crowned by a wheel-of-law, this depicts the miracles associated with the Buddha as told in the jatakas.

The Southern Gateway
The birth of Gautama is revealed in a series of dramatically rich carvings.

Stupa No. 2
The stupa stands at the very edge of the hill and its most striking feature is the stone balustrade that rings it.

 

Stupa No. 3
Situated close to the great stupa. The hemispherical dome is crowned, as a mark of its special religious significance, with an umbrella of polished stone. The relics of Sariputta and Mahamogallena, two of the Buddha's earliest disciples, were found in its inmost chamber.

 

The Ashoka Pillar
Lies close to the Southern gateway of the Great Stupa, and is one of the finest examples of the Ashokan pillar and is known for its aesthetic proportions and exquisite structural balance.

The Buddhist fVihara
The sacred relics of the Satdhara Stupa, a few km away from Sanchi, have been enshrined in a glass casket on a platform in the inner sanctum of his modern monastery.

The Great Bowl
Carved out of one block of stone, this mammoth bowl contained the food that was distributed among the monks of Sanchi.

 

The Gupta Temple
In ruins now, this 5th century AD temple is one of the earliest known examples of temple architecture in India.

The Museum
The Archaeological Survey of India maintains a site museum at Sanchi. Noteworthy antiquities on display include the lion capital of the Ashokan pillar and metal objects used by the monks, discovered during excavations at Sanchi.

Excursions

Heliodorous Pillar
Close to the ruins are the remains of votive pillars with palm-leaf capitals; the only one that still stands is the Heliodorous Pillar, also known as Khamba Baba. A monolithic, free-standing column, the pillar bears an inscription which states that it was a Garuda Pillar, raised in honour of Vasudeva by Heliodorus, a resident of Taxila, who had been sent to the court of Bhagabhadra as an envoy of the Indo-Bactrian monarch, Antialkidas. This inscription is a particularly valuable historical record, revealing both the relations that existed between the region and the Greek kingdoms of the Punjab, and the remarkable fact that a Greek had become a follower of the Hindu god Vishnu. The inclusion of the name of Antialkidas dates the erection of the Pillar to approximately 140 BC.

Architecturally, the Pillar, with its bell capital carrying a figured superstructure, resembles the Ashoka Pillar, but is much smaller in size, with more slender proportions. The lower portion of the shaft is octagonal, the upper sixteen-sided, with a panel above of thirty-two facets. The carvings have Buddhist motifs such as a border with geese in pairs as well as Hellenic ones such as the honeysuckle and the bead -moulding.

Sonari and Satdhara
There is a group of eight Stupas at Sonari, 10 km, on one of which numerous relics are recorded. At Satdhara, 11 km West of Sanchi, there are two stupas

Andher & Mural Khurd
17 and 12 km respectively. Ruins of ancient stupas can be seen here.

Vidisha
Vidisha or Besnagar, as it is called in the Pali scriptures, once the prosperous capital of the Western dominions of the Sungas, contains some remarkable antiques that throw light on the considerable architectural development of the period.

Situated in the fork of the Betwa and Bes rivers, Vidisha, 10 km from Sanchi, occupies an important place among the ancient cities of India. In the 6th and 5th centuries BC, it became an important trade centre and a bustling city under the Sungas, Nagas, Satvahanas and Guptas. The Emperor Ashoka was governor of Vidisha and it finds mention in Kalidasa's immortal Meghdoot. Deserted after the 6th century AD, it came into prominence again as Bhilsa during the medieval period (9th to 12th centuries AD). It later passed on to the Malwa Sultans, the Mughals, and the Scindias.

The ruins of a Brahmanical shrine at Vidisha dedicated to Vishnu reveal that the foundation bricks were cemented together with lime mortar, the first known example of the use of cement in India. The ruins are what remain of possibly the oldest known Brahmanical stone structure, dated not later than 2nd century BC. Vidisha Museum has a superb collection of Besnagar's earliest antiques, dating from the Sunga period. 9th century sculptures and terracotta objects, representing the art that flourished under the Parmara patronage, are also well represented here. Highlights of the collection from Besnagar are the Surya Chamundi figures, the Yakshi and Ramagupta inscriptions.

The Lohangi Rock, Gumbaz-ka-Maqbara and Bijamandal Mosque, are also worth a visit.

Udaygiri Caves
13 km from Sanchi and 4 km from Vidisha are a group of rock-cut cave sanctuaries carved into a sandstone hill that stands sentinel-like on the horizon. An inscription in one of these states that it was produced during the region of Chandragupta II (382-401 AD), thus dating these caves to 4th-5th century AD.

The caves possess all the distinctive features that gave Gupta art its unique vitality, vigour and richness of expression; the beautifully moulded capitals, the treatment of the intercolumniation, the design of the entrance way and the system of continuing the architrave as a string-course around the structures.

They have been numbered probably according to the sequence in which they were excavated, beginning with Cave 1, which has a frontage adapted out of a natural ledge of rock, thus forming both the roof of the cave and its portico. The row of four pillars bear the 'vase and foliage' pattern of which the eminent art historian Percy Brown so eloquently says: "the Gupta capital typifies a renewal of faith, the water nourishing the plant trailing from its brim, an allegory which has produced the vase and flower motif one of the most graceful forms in Indian architecture".

The shrines are progressively more spacious and ornate. Cave No.9 is remarkable for its large ceiling and massive, 8 feet high pillars, its long portico and pillared hall. Throughout, there is evidence that the master craftsmen of Besnagar practised their art with skill and artistry under the Guptas, four centuries later. In Cave No.5, a massive carving depicts Vishnu in his Varaha avatar, aloft one tusk. Yet another stupendous sculptures is of the reclining Vishnu.

Taken as a whole, this group is a rich representation of the vitality and strength of Gupta art and architecture.

Gyraspur
41 km north-east of Sanchi, Gyraspur was a place of considerable importance in the medieval period. Here in the ruins called Athkhamba (Eight Pillars) and Chaukhambe (Four Pillars) are what remain of the columned halls of two temples belonging to the 9th and 10th centuries AD. The faceted shafts of Athakhambe, with their extreme delicacy of carving, testify to the high degree of craftsmanship during the period. Other monuments of note at Gyraspur are of the early 10th century: Bajra Math and the Mala Devi Temple, the latter distinguished by its carved pillars with foliate motifs, representative of the richest post-Gupta style.

Udaypur
93 km from Sanchi via vidisha and ganj basoda. The colossal Neelkanteshwar temple here is an outstanding example of Parmara art and architecture of the 11th century AD. The crowning beauty of this temple is its well proportioned and gracefully designed spire and delicately carved medallions adorning its sides. Built of fine red sandstone and standing on a lofty platform, the temple consists of a garba-griha (shrine room), a sabha mandap hall) and three pravesha mandaps (entrance porches).

Bijamandal, Sahi Masjid and Mahal, Sher Khan-ki-Masjid and Pisnari-ke-Mandir are some of the other monuments in Udaypur.

Rahatgarh
Situated on the Sagar-Bhopal road is Rahatgarh, 82 km from Sanchi. It has a medieval fort and a picturesque water fall.

How to Reach

By Air
Nearest airport is at Bhopal ( 46 km via Diwanganj and 78 km via Raisen) which is connected with Delhi, Mumbai, Jabalpur, Gwalior and Indore.

By Rail
Sanchi lies on the Jhansi-Itarsi section of the Central railways. However, the most convenient railheads are Vidisha (10 km) & Bhopal (46 km).

By Road
Good, motorable roads connect Sanchi with Bhopal, Indore Sagar, Gwalior, Vidisha and Raisen, besides other places.

Best Season

October to March.

 

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Information about Madhya Pradesh
Introduction || History || Geography || Climate || Economy || People || Languages || Festivals || Tourist Attractions || Wildlife Sanctuaries

Cities in Madhya Pradesh
Bhopal || Gwalior || Indore || Jabalpur || Khajuraho || Mandu || Orchha || Sanchi || Ujjain

Distances from Cities in Madhya Pradesh
Bandhavgarh || Bhopal || Gwalior || Hissar || Indore || Jabalpur || Kanha || Khajuraho || Shivpuri || Ujjain

Fair and Festivals of Madhya Pradesh
Madai Festival || Bhagoriya Festival || Karma Festival || Nagaji Fair || Mahashivratri || Khajuraho Dance Festival || Tansen Music Festival


Tourist Attractions in Madhya Pradesh
Eastern Group of Temples || Western Group of Temples

Wildlife Sanctuaries of Madhya Pradesh
Bandhavgarh National Park || Kanha National Park || Panna National Park


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